Lindsay Hopkins Weld
Works
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Lindsay Hopkins WeldSailing Byoil on birch panel6 x 12"$ 650.00 -
Lindsay Hopkins WeldYellow House, Great Cranberry Islandoil on board12 x 9"$ 950.00
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Lindsay Hopkins WeldAugust Marshoil on cradled birch panel12 x 12"$ 1,200.00
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Lindsay Hopkins WeldEnd of Julyoil on cradled on birch panel12 x 12"$ 1,200.00
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Lindsay Hopkins WeldThat Kind of Dayoil on cradled birch panel12 x 12"$ 1,200.00
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Lindsay Hopkins Weld8 Dinghiesoil on board12 x 12"$ 1,200.00
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Lindsay Hopkins WeldCat Boatoil on board18 x 24"$ 2,700.00
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Lindsay Hopkins WeldSpring at Little Long Pondoil on board18 x 24"$ 2,700.00
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Lindsay Hopkins WeldAll that Remainsoil on birch panel9 x 12"Sold
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Lindsay Hopkins WeldAugust Fogoil on birch panel12 x 12"Sold
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Lindsay Hopkins WeldIDR Sunsetoil on canvas20 x 30"Sold
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Lindsay Hopkins WeldOut of Nowhereoil on birch panel12 x 12"Sold
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Lindsay Hopkins WeldIsland Beachoil on birch panel8 x 10"Sold
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Lindsay Hopkins WeldRed Sky at Nightoil on birch panel9 x 12"Sold
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Lindsay Hopkins WeldPartly Sunnyoil on canvas20 x 30"Sold
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Lindsay Hopkins WeldRockweed and Spruceoil on birch panel8 x 6"Sold
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Lindsay Hopkins WeldAll to Ourselvesoil on board24 x 18"Sold
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Lindsay Hopkins WeldClifton Fogoil on board12 x 6"Sold
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Lindsay Hopkins WeldAugust 5thoil on board11 x 14"Sold
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Lindsay Hopkins WeldGranite Ledgeoil on cradled panel10 x 20"Sold
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Lindsay Hopkins WeldGlowingoil on board11 x 14"Sold
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Lindsay Hopkins WeldIslesford Sunsetoil on board11 x 14"Sold
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Lindsay Hopkins WeldQueen Anne's Laceoil on canvas24 x 30"Sold
About the artist
End of July
My oil paintings focus on the natural beauty of my surroundings. They are real places and events, not imagined. Living near the ocean, I am constantly aware of the elements. My current work is an exploration of the perpetual motion of the tides, the reflective quality of water, and the sea’s ever-changing moods. The transition from day to night or calm to storm also serve as inspiration. I am interested in conveying the soul of a place and exploring the boundary between realism and abstraction.
The subject is color, the play of light and shadow, the relationship of shapes and their subtle interaction. Extreme light and the abstract shapes that result are aspects I like to both exaggerate and simplify. Less is more.
I try to paint what I see and not what I know. My paintings evolve through observation, trial and error, persistence and my own photographs as aids. It is the fleeting beauty, unexpected color and vibrancy of place that inspire and energize me.