Nancy Simonds

In painting each piece there is an experience of exhilaration and renewal. In each painting I stack and pile simple shapes, placing then sizing and creating visual relationships that build to larger rhythms. My best paintings work like Japanese haiku; each image is paired down to its essentials and each becomes a complete world of its own. In these paintings I aim for an effect deeper than the joy of beautiful surface and color; I want to generate visual places, points of departure for states of serenity and contemplation.  My stack paintings spring from a longstanding interest in building materials and architectural elements that include bricks, concrete blocks, window openings and doorways. 

In my OVOID series, squares without edges, I enjoy the play of organic shapes against the white of the background creating tension as the ovals touch or separate in varying degrees. These images reflect velvety textures such as moss covered earth as well as disparate edges, sizes and patterns coexisting in nature. Each shape is drawn and carved out by the edge of the brush.

I used to use oil paint and watercolor paints. But after I tried gouache, a water based medium like watercolor, I knew it was the medium for me. Unlike watercolor that relies on its translucency for its impact, gouache can be used both in a matte and also a translucent manner. It provides more opaque color than watercolor, so that color relationships have more poignancy. And color relationships are the core of my work. I am ecstatic about color. When I drive or walk around I find that sometimes I am sometimes enormously impacted by color relationships that I see as they change seasonally and often those observations become the color structure a painting.

Formerly, I did still life painting in oils. I found that I was really not interested in objects per se but I was more intrigued with shape and color relationships and the emotive qualities I could make with many different arrangements therein.

I use gouache paint on Reeves printmaking paper, achieving a translucency and depth of color; I blot and dab myriad hues to create complex and delicate surfaces. I love the matt surface of gouache paint. It is the thrill of potential in each new piece that keeps me exploring in the studio.